The San Diego Bead Society hosts engaging speakers, who present at our monthly meetings and who teach small classes for our members. We love to have activities that engage our members in all aspects of the beading world. Take a look at some of our past events!
2017 Events and Activities:
Melanie Potter on September 16, 2017
“Thoughtful Beadwork Design”
Melanie Potter is an artist and designer for School of Beadwork, and a national and international instructor teaching unique off-loom seed bead jewelry designs. Her background in couture sewing was a natural transition into beadwork design and construction. More recently, her venture into watercolor painting has further inspired and brought fresh approaches to her color theory.
Melanie has a passion for producing three-dimensional structural forms and architecting unique clasps, and she was selected as a Master Teacher for the Bead and Button Show in 2016.
In addition to these talents, Melanie is also a graphic artist and she professionally illustrates and formats all of her own instructions. Her work is published in a number of books and magazines, including Master’s Beadweaving and Major Works by Leading Artists.
Melanie’s studio is on the beautiful California central coast, where she beads, swims, hikes, bikes, creates watercolor paintings, and enjoys time with her husband Scott.
Melanie’s presentation will focus on her design process. She’ll touch on some of the strategies she uses when creating new work, and will also share some considerations that help her to produce beadwork designs that are wearable, as well as appealing. It’s sure to be a fun presentation since Melanie will be using lots of visual examples from past work that she has created.
If you’d like to learn more about Melanie and her designs before her presentation, please visit her website at:
Jayashree Paramesh on August 19, 2017
“My Approach to Design”
Jayashree Paramesh was introduced to the world of beads through a bead embroidery class she took while a student at Parsons, The New School for Design, in New York. She looks everywhere for inspiration and then creates from within. Her designs are more about her desire to bring out the unique beauty of the beads and the woman, rather than having a signature style. That being said, she is inspired by fine jewelry and loves to use some gold or silver in her pieces. Sparkly crystals and gemstones in jewel-tones are her favorites.
Jayashree’s designs have been published in Perlen Poesie, Beadwork, and Bead and Button. She has taught and continues to teach at various studios and stores across the USA, Bead and Button Shows, and bead guilds. It is a very gratifying experience for her to share her designs with fellow bead artists.
Jay’s talk for us will focus on her approach to design and how she comes up with her many unique pieces and shapes.
To see more of her work, please visit her Nchantme page on Facebook. Many kits and tutorials of her designs are also available at https://www.etsy.com/shop/Nchantme.
Please join us for what promises to be an educational presentation!
Jody Young on Saturday, June 17
“Raised Texture Bead Embroidery Techniques”
Jody Young is a master bead artist who began beading at the age of twelve. Before moving to Maui, Hawaii, where she lived for several years, Jody owned Beyond Beads Gallery in Spokane, Washington, for more than twenty-one years. She has recently returned to the Pacific Northwest, and today her creations are being recognized as fine art.
Jody’s one-of-a-kind pieces, which she calls Bead Art-Worth, truly come alive using her distinctive raised textured beading technique. Jody uses the finest quality beads, as well as a mixture of shells, coral, pearls, stone, glass, crystal, and other natural elements. Each bead is meticulously threaded by hand, never glued. Her Bead Art-Worth collection is finished with a backing of fine, soft leather and is often displayed on natural elements such as shells, rock, or wood.
Jody draws inspiration for the Bead Art-Worth collection from the natural beauty and rhythm of life. Earth, water, air and fire are the soul of her work. Inspiration awaits while strolling the beach, snorkeling, hiking majestic Northwest forest, or simply gazing at the warm glow of a campfire. The vibrant colors and natural rhythms of nature are uniquely captured in her extraordinary work.
Jody’s presentation will be about her Raised Texture Beading style, a free-form (no patterns to follow) technique that allows you let the beads speak to you through color, texture and placement. In her work, she uses a variation of stitches to create movement and texture throughout the beadwork, allowing her work to come alive.
Tracy Stanley on Saturday, May 20
“My Journey . . . From Seed Beads to Wire and Metal, and then to Author . . . Oh My!”
Tracy Stanley is from the Pacific Northwest, and has been teaching beading and wire working techniques for over twenty-five years. She loves organic elements and brings them into her work as often as possible.
Tracy is a big believer in quality tools and solid techniques, and she enjoys passing this information on to her students so that they, too, can make quality pieces that are structurally sound, while creating pieces that they can be proud of. Her goal is to make wire and metal work accessible to all by using simple low-tech techniques.
Over the years, Tracy has taught classes at bead stores all over the country, from Alaska to Florida; at the major bead and wire shows around the country; and on retreats that include Italy and Caribbean cruises. Her newest book was released in December of 2016 and is called Exploring Metal Jewelry. She has also co-authored a book called Making Wire & Bead Jewelry that came out in 2012.
Phil Fischman will be sharing
“A History of Beads” with us on April 8!
Phil Fischman, owner of the Encinitas bead store Beads, Crystals, and More, will share his deep knowledge of beads and bead history with us on April 8th.
Phil began enjoying beads at age fifteen (back in 1969) with his first discovery of a Chevron bead that opened his eyes and mind to history, travel, and art in ways previously unknown. He has been, of course, a beadaholic ever since!
Phil worked in a bead store in Tucson in the 1970’s, and began working with jewelry at Zale’s Jewelers, before becoming a Gemologist and Appraiser in the 1980’s. In the spring of 1998, he walked into a local bead store that was oriented towards children — with the purpose of spending a dime to buy one head pin
to complete a pair of earrings for his wife’s birthday. He learned that the store was going out of business — and, in a unique twist of events, ended up buying it and turning it into a bead store catered towards San Diego’s growing group of beaders.
In his presentation, Phil will be sharing his vast knowledge of beads with us, and will include information on the artifacts and Antique Trade Beads, which date back 6,000 years, that he has in his collection.
Please join us for our March 18 meeting!
Open Beading Session: Bring Your “UFO’s”!
Have you had a hard time fitting in any beading lately? Do you have quite a few “UFO’s” laying about — those unfinished objects that you can never seem to finish?
If so, then be sure to come to our next meeting!
After a short general meeting on March 18, we’ll be having some fun by spending our time working on beading projects. We’ll have the room set up with round tables so you can bead, snack, and socialize.Please be sure to bring:
- a project you’re working on
- a beading mat
- your beading light
- any magnification you might need
We’ll also be raffling off some beading books that Dr. Robert Liu kindly donated to us this past fall.
Be sure to come early so you can pick up a raffle ticket and some delicious treats before you settle in with your beading!
Our February 18 Speaker: Virginia Blakelock
Topic: “A Career of Firsts”
Virginia Blakelock’s career in beads has been one filled with many “firsts.” Her work was first published in Threads magazine in 1988, generating the most reader letters of any article in that magazine’s history. Her book Those Bad Bad Beads was the first modern treatise on beadweaving techniques that was not from a Native American or craft point of view. In that book, she was the first to describe flat Ndebele herringbone stitch and quadruple helix. In 1991, she was the first American to contact private Czech pressed glass bead makers and contract with them to produce beads for the American bead market. Remember Tiny Tim drops? Dagger pendants? Leaves and flowers? Her company Beadcats, Inc. first brought them to market in the 90’s.
Blakelock and her business partner Carol Perrenoud were the first bead teachers at Penland School, and they taught at Surface Design, Convergence, and for embroidery and quilt guilds across the country, touring in a 1975 Cadillac six-door black limousine. Many of the luminaries in the bead world today were Virginia’s and Carol’s students, including Diane Fitzgerald and Carol Wilcox Wells.
She and Carol have taught at every Bead & Button Show since it originated as Embellishments in Texas more than fifteen years ago, and they were the first to teach the Master Class in 2000.
Trained as a painter (she was featured in the Portland Art Museum’s Oregon Biennial show at the age of 23) and having spent four of her teenage years in Karachi, Pakistan, in the late 1960’s also shaped Blakelock’s unique aesthetic, which combines intricate technique with skillful use of color. Even though she teaches projects that often use kits, she encourages her students to think “outside the kit” and use her designs to kickstart their own creativity. She says, “I can’t possibly discover and realize all the possibilities of my designs. I teach them in the hopes that some of my students will do that exploring.”
Virginia’s talk will cover highlights of her artwork, and will also include candid photos of the rest of her life, including some highlights of her Czech travels. As you can see, Virginia is an artist of “firsts,” and her presentation will give you a glimpse into her creative life.
If you’d like to learn more about Virginia and her work before her presentation, please visit her website at:
Our January 21 Speaker: Sandy Swirnoff
Topic: “Fiber Jewelry”
For Sandy Swirnoff, the pleasure of working with fiber combined with beadwork is the same: making the concepts in her imagination come to life. She likes the intimacy of holding the fiber cords in her hands and shaping them into surprising patterns and designs. She enjoys the opportunity that each piece presents — how to get from one place to another in the most attractive and graceful manner.
Sandy is especially inspired by uniting the antique and the contemporary in her work. As a young woman, she lived in a Prairie-style home that featured the mellow golds and rich blues of Tiffany glass. This memory was reawakened in 1990 when a truck crashed into an antique store window filled with Art Nouveau glass vases and lamp shades in Portland, Oregon. The beautiful glass was irreparably damaged. Sandy bought many of the fragments and is thrilled that her work not only recycles and preserves the shards, but gives people the opportunity to appreciate their beauty in new and contemporary settings. One of her pieces is part of the permanent collection at the Museum of Art and Design in New York City.
For her presentation for us, Sandy will be talking about the importance of fiber jewelry and her creative process.
If you’d like to learn more about Sandy and her work before her presentation, please visit her website at:
2016 Events and Activities:
Saturday, November 19
9:00-10:30 A.M. — Set up and sale
10:30 A.M.-12:00 noon — Short meeting and jewelry sale
At our annual members-only meeting, we will be voting on our 2017 budget and our annual donation to the Mingei Museum, and also electing some new Board positions.
After we take care of those important matters, we’ll have our annual potluck and jewelry sale/swap. This is a great chance to find good homes for the beautiful jewelry you have made. We’ll also be doing the giveaway for the Bead Jar!
Members can enter the Mingei at 9:00 A.M. to set up and start the swap and sale. There will be a short meeting at 10:30 A.M., and then the swap and sale will continue afterwards. If you are bringing items to swap or sell, be sure to get there early so that you can claim a spot at one of the tables and so you have time to set up your wares. Tables are limited and available on a first come, first serve basis, and we ask that you kindly share space so that we will have plenty of room for everyone who wants to sell their items.
At this meeting, we will also be voting on some important matters, including our 2017 budget, our donation to the Mingei Museum, and several officer positions. We need a quorum in order to move forward with the voting, so it’s very important that we have a full turnout.
After we have our short meeting, we’ll also be having our annual potluck-style buffet, and ask that everyone please bring a dish or plate to share. If this isn’t possible, then consider bringing a cash contribution that we can use towards next year’s hospitality budget. (We’ll have a donation jar on the table for this purpose.) So that we don’t wind up with twenty pies and no entrees, we would like to suggest the following categories, based on the first letter of your last name:
A-G Desserts — Cupcakes, cakes, cookies, brownies, pies, chocolate, muffins, strudels, etc.
H-M Appetizers — Cold cuts, veggie tray, hummus, dips and spreads with crackers, fruit salads, guacamole, salsa with chips, finger food, etc.
N-Z Hot or Cold Plates — Pasta salad, potato salad, green salads with dressings, deviled eggs, turkey rolls, casseroles, breads, etc.
Our October 15 Meeting
Open Beading Session: Bring Your “UFO’s”!
Our September 17 Speaker: Dr. Robert K. Liu
Topic: “How Is It Made? How Is It Used?”
Trained as an ethologist/ichthyologist, Robert K. Liu received his Ph.D. from the University of California at Los Angeles, where he worked on experimental gerontology in the Department of Pathology, School of Medicine. In 1975, he left biomedical research after founding The Bead Journal, which changed its title in 1978 to Ornament, a journal of personal adornment.
Self-trained as a jeweler and photographer, he is co-editor of Ornament and has written over 700 articles on ancient, ethnographic and contemporary jewelry and personal adornment since 1974. Some of his particular research interests center around ancient glass of China and the silicates of the Zhou and Warring States period. Over the past four decades, he has lectured extensively in the US, as well as in the UK and People’s Republic of China; given many workshops on jewelry photography; and made bamboo jewelry. Dr. Liu has also recently published The Photography of Personal Adornment, and has also written the book Collectible Beads. All of his publications are also illustrated with his own photography, both film and digital.
Have you ever wondered how the beads and jewelry, whether ancient, ethnographic or contemporary, that you love are made, or how they were used? In his lushly illustrated PowerPoint presentation, Dr. Liu will be answering these questions for us, and explaining how personal adornment — whether thousands of years old or just a few years old — influences our lives. Drawing upon his own research and that of other experts and museums, Dr. Liu will help us better understand our love and fascination for jewelry and beads.
Dr. Liu will also have copies of his new book available for a special reduced price for our members at his lecture.
If you’d like to learn more about Dr. Liu and his work before his presentation, please visit the Ornament magazine website at:
Our August 20 Speaker: Melanie Potter
Topic: “Clasps: Composition, Proportions, and Types”
Melanie Potter is an artist and designer for School of Beadwork, and a national and international instructor teaching unique off-loom seed bead jewelry designs. Her background in couture sewing was a natural transition into beadwork design and construction. More recently her venture into watercolor painting has further inspired and brought fresh approaches to her color theory.
Melanie has a passion for producing three-dimensional structural forms and architecting unique clasps, and she was selected as Master Teacher for the Bead and Button Show 2016.
In addition to these talents, Melanie is also a graphic artist and she professionally illustrates and formats all of her own instructions. Her work is published in a number of books and magazines, including Master’s Beadweaving and Major Works by Leading Artist. Melanie’s studio is on the beautiful California central coast where she beads, swims, hikes, bikes, watercolors and enjoys time with her husband Scott.
For her presentation for us, Melanie will be doing a shortened version of the Master Class she taught at this year’s Bead and Button show. Her talk, “Clasps: Composition, Proportion, and Types,” will explore the design theory behind the placement, scale, and techniques as they are applied specifically to clasps in jewelry design. A variety of clasps and techniques will be examined to uncover fundamental design principles and aesthetics related to secure closures for necklaces and bracelets.
If you’d like to learn more about Melanie and her work before her presentation, please visit her website at:
Our June 18 Speaker: Teresa Sullivan
Topic: “Lions and Tigers and Beads: A Visit to
Teresa Sullivan is an artist, musician, and educator based in Olympia, Washington, who creates sculpture, jewelry, and sculptural jewelry with woven seed beads and found materials. Her enthusiasm for the unusual, the irreverent, and the magical pervades both her art and her music.
She has exhibited and taught internationally, and her work has been featured in Ornament, Fiberarts, and Beadwork magazines, and also in the books 500 Beaded Jewelry, Suzanne Golden Presents: 36 Artists Who Innovate with Beads, Kate McKinnon’s Geometric Beadwork, and Marcia DeCoster’s Beads in Motion.
In the summer of 2014, Teresa accompanied legendary artist and educator Joyce J. Scott and four other artists on a three-week trip to South Africa.
Joyce had previously met members of a bead tapestry group from an area near Ladysmith and had seen the beadwork of another group from Cape Town, and she was inspired to share her skills with them. Her decision not to do this alone led to eye-opening adventures for this group of six friends/colleagues that included music, dance, and art.
During her presentation, Teresa will share information about her travels, and will also have a small number of artifacts from her trip for viewing. She’ll also have a trunk show that includes books and special museum posters, as well as beads.
If you’d like to learn more about Teresa and her work before her presentation, please visit her websites at:
To learn more about the beading groups she visited in South Africa, please visit their sites:
Update after Teresa’s presentation: For those of you who were at Teresa Sullivan’s talk (or even if you couldn’t make it, but want to learn more), Teresa sent these links to us that are for some of the groups and teaching artists that she mentioned during her presentation:
* Monkeybiz Bead group (Cape Town): www.monkeybiz.co.za
*The Haas Brothers: www.thehaasbrothers.com
* Ubuhle Bead Group (Midlands): www.ubuhlebeads.co.za
* African Art Centre (Durban): www.afriart.org.za
*The Phansi Museum (Durban): www.phansi.com
*Teresa Sullivan website: www.teresasullivanstudio.com
*Sonya Clark website: www.sonyaclark.com
*Joyce J. Scott doesn’t have a website, but she and her work are all over the web and she has a fan page on Facebook
* Hlengiwe Dube’s book “Zulu Beadwork: Talk with Beads” available through Africa Direct on etsy:
Our May 21 Speaker: Gwen Fisher from Bead Infinitum
Topic: “Mathematical Bead Weaving”
Gwen Fisher is an artist, mathematician, teacher, and learner. She has a Ph.D. in Mathematics Education, and is a former Professor of Mathematics at Cal Poly, San Luis Obispo. She uses mathematics — including geometry, symmetry, topology, and algorithms — as inspiration for the structure of her creations.
Since 2005, Gwen’s primary medium has been bead weaving and designing tutorials so that other people may enjoy reproducing her designs. When she creates her tutorials, she intends for them to be beautiful objects in their own right, and has said that the culmination of her written work as an art form comes when another beader creates real beaded art from the tutorial. In this way, the viewer of her artwork is not merely passive, but rather an active participant in the creation of her art.
In her presentation for us, Gwen will explore is going to explore the ways in which mathematical design influences her beadwork.
As Gwen will explain, a bead is anything with a hole, and a hole is an oriented line segment in three dimensions. So there are straightforward methods for using beads and thread to represent many geometric objects composed of line segments. Examples of this idea include tlings (tessellations) and polyhedra, such as cubes.
During her talk, Gwen will show many examples of how she translates these kinds of mathematical objects into beautiful beaded objects, and she will also explain how the notion of “symmetry” helps her organize all of the many possibilities.
Come explore the fascinating world of mathematical designs at Gwen’s May 21 presentation!
Our April 16 Speaker: Diana Grygo,
The Lone Beader
Topic: “Adventures in Bead Embroidery”
Diana Lynn Grygo, AKA The Lone Beader, is a self-taught beadwork artist focusing primarily on bead embroidery. She creates multidimensional pieces of beaded art by stitching seed beads onto layered felt. Diana also loves to combine beadwork with mixed media techniques, often stitching her beaded subjects to a painted canvas or collage.
Diana has shown her work in national contemporary art exhibitions, and she also sells finished pieces in her
Etsy shop. She currently works at her home studio in Boston, Massachusetts, and is a member of the Cambridge Art Association.
Her beadwork has been juried into Bead & Button magazine’s 2013 Bead Dreams Competition, and she has also been published in both Beadwork and Bead & Button magazines, Russia’s Handmade Magazine, and more recently, a book called Mastering the Art of Embroidery by Sophie Long.
Free docent-led visit to the Gemological Institute of America’s (GIA) Museum on Friday, April 8, 2016,
from 10:30 A.M. to 12:00 noon!
Forty-one of our members and guests made it up to Carlsbad on April 8 for our free field trip to the Gemological Institute of America (GIA). We had two docents lead our tours, and were able to see the GIA’s amazing collection of gems and jewelry!
Here are some pics from our field trip.
Victoria’s Secret Fantasy Bra
Some of our members in the GIA lobby
Learning more about crystals and gems inside the GIA Museum
Inside the GIA Museum
Jumbo gems on display
Some pieces from the GIA’s jewelry collection
Looking at the Bahia Crystal
Learning about minerals and crystals
One of docents Tom and Bead Society President Leanne Maunu
Our March 19 Speaker: Carla S. Fox
Topic: “Art as Adornment: Creating from Your Collections”
“Adornment is never anything except a reflection of the heart.” – Coco Chanel
A career in interior design has given Carla a focused eye for color, texture, scale, and balance. She worked as a commercial interior designer in Portland, Oregon, for over twenty-five years, before moving to Oregon wine country, where she lives on ten acres in a pastoral setting.
Carla began making jewelry about ten years ago, after collecting beads and findings from her travels over the years. She started out making traditionally strung jewelry, and gradually began experimenting with incorporating vintage jewelry pieces into her designs. At this time, she began creating collages, encaustic paintings, and mixed media art, which inspired her to think about collage as something that could be worn, and thus were her wearable “collage collars” born.
A burgeoning collection of vintage and antique jewelry and beads, findings, fabrics, buttons, vintage and antique laces, millinery supplies, and various and sundry items are used in her stunning pieces.
Carla has had no formal training in beading or embroidery techniques, and is entirely self-taught in this arena. As she says, “Perhaps this gives me the freedom to experiment without the fear of it being ‘wrong.’ If I can get a needle through it, and sew it onto something . . . that is a success to me.”
During her presentation, Carla will be discussing the theme of using beaded art to adorn ourselves and to enrich our lives. Carla’s philosophy is summed up in this statement of hers: “I view adornment as an expression of one’s inner creative spirit. I do not follow trends or fashion, but allow my creativity to lead me where it may. I invite you to adorn yourself in beauty . . . .”
Please join us for what promises to be another exciting program!
- Our February 20 Speaker: Floor Kaspers
a ‘Bead Town’?”
Floor Kaspers is a Dutch artist, and she has been exploring European bead history through her travels. Going to factories, old dump sites, shops, and museums, she collects not just beads, but the stories connected to beads. Floor Kaspers has written three books about her discoveries: Beads from Briare, Beads from Tucson, and Beads from Jablonec. Currently, she is working on her latest book, entitled Beads from Germany.
For her presentation, Floor shared the fascinating story of German beads. During the last few years, she visited three “bead towns”: Lauscha, Neugablonz, and Idar-Oberstein. All of these towns have a prominent place in German bead history.
Lauscha is known for its hollow and marble beads, Neugablonz is where many Bohemian beadmakers settled after WWII, and Idar-Oberstein is the birthplace of many stone beads. Floor will explore the history of beadmaking in these towns, and will explain how a “normal” town becomes a “bead town.” The lecture will be a mix of history, personal stories, and lots of “show and tell” of German beads.As part of her work, Floor also collects bead sample cards, and has documented them as part of the Bead Museum project.
2015 Events and Activities:
- October 17: Diane Whiting shared her approach to creating convertible jewelry designs. She spoke about the innovative techniques that she uses to build convertibility into beading designs, and also taught a class for us the next day.
- September 19: Kinga Nichols presented her journey into bead embroidery and design, and taught two classes for us. Kinga is a phenomenal bead embroidery artist, and she spoke about her whimsical, imaginative art.
- August: Kate McKinnon entertained us with a talk about her collaboration with 500 other artists.
- June: Robert Haven presented his journey to beading and the history and application of the tambour beading process.
- May 16: Cynthia Rutledge, long-time bead artist and teacher, returned to San Diego. You may recall Cynthia got her start beading at San Diego’s The Shepherdess. Cynthia taught two classes for us: La Dolce Vita bracelet and La Muse: La Bella Simonetta necklace.
- April: Brenda Schweder shared her artistic history and how her friendships with other artist have led to beautiful artistic creations.
- March: Diane Fitzgerald, talented bead designer, discussed fads and trends in beading. She also taught a class on the cornerless cube, which is made up of six flat peyote squares and eight flat peyote triangles that are zipped together. In addition to covering many techniques used in making the cube that can be applied to other beading, Diane showed us how to make her Bubble Bead with two hole lentils (or two hole triangles), and gave us directions and a kit for a pretty pair of earrings. And, she shared the secrets of her bead kit with us, including tools she finds helpful and items she takes to keep her bead kit pretty and fun.
- February: accomplished seed beader, Judy Walker, shared her live as a “beadaholic” with humor, wonderful slides and an impressive display of her beaded pieces.